Sourced objects




Chiara 
Original Edition 
Italy, 1969
Designed by Mario Bellini for FLOS


sourced for a private client



Celestia 
Originale Edition
Italy, 1981
Designed by Tobia Scarpa for FLOS


sourced for a commercial client






Pair of large opaline and copper ceiling fixtures

Original Edition 
Unknown origin



sourced for a private client








DS-1025 Terazza Sofa, set of two
Originale Edition
Switzerland, 1970s
Designed by Ubald Klug for de Sede


sourced for a commercial client








Teak, tubular brass, sheet brass, white paper ceiling light

Original Edition 
Italy, 1957



sourced for a commercial client







French galvanized iron garden chairs, set of six 
Original Edition 
France, 1900s



sourced for a private client






Metafora Coffee Table
Originale Edition
Italy, 1979
Designed by Lella & Massimo Vignelli for Martinelli Luce


sourced for a private client







Verspanntes Regal (bookcase)
Originale Edition
Germany, 1984
Designed by  Wolfgang Laubersheimer for Pentagon Group


sourced for a commercial client
MR Chair Rattan, set of six
Originale Edition
United States, 1927
Designed by Ludwig Mies van der Rohe for Knoll



sourced for a private client






Hexagon cork lamp
Originale Edition
Germany, 1974
Designed by Ingo Maurer for Design M


sourced for a commercial client









Curriculum vitae 



Nina Brøske Klette
ninaklette@gmail.com
Instagram

Architect (M.Arch) with experience in
transformation and extension of existing buildings. 
I’m driven by the challenge of creating meaningful spatial solutions through close collaboration with clients and colleagues. My work is guided by a deep interest in how architecture can evolve from what is already there.


Alongside my architectural practice, I have professional experience as a dealer of vintage and antique interior objects for both private and commercial clients. This parallel practice has refined my sensitivity to material qualities, craftsmanship, and the ongoing dialogue between past and present in both architecture and design.


I am drawn to projects that engage with the spatial and historical context of a place — uncovering new layers and possibilities within the existing fabric. My approach is guided by curiosity and a wish to create architecture that endures, through the resonance of space and material — that, at least, is my ambition. 





Education
Royal Danish Academy,  School of Architecture 


Cultural Heritage, Transformation and Conservation
(M.Arch)


Architecture and Culture
(B.Arch)





Skills

Rhinoceros 3D
AI renders
Autocad 
Photoshop
InDesgin
Lightroom
Illustrator
Enscape
Archicad
Revit





1383 transformation

Single family house
Asker
Assigment: Transformation of an existing kitchen and living room, including the addition of corridors functioning as buffer zones towards the private bedroom areas.


Architectural Intent: The project focuses on reorganizing the layout of the social zones to create symmetry and a clear spatial connection between the kitchen, dining area, and living room. The rhythm of these spaces is emphasized through the design of the corridor. To avoid a dark and confined atmosphere in these transitional spaces, and to ensure good natural ventilation throughout the dwelling, the intention is to use architectural means to introduce light and airflow while maintaining a distinct buffer between the social areas and the existing bedrooms.


Architectural Ambition: The ambition is to highlight and further develop the dwelling’s inherent qualities, demonstrating how a thoughtful transformation can enhance its architectural character and overall value. In this context, the focus is on quality of square meters rather than quantity. Building upon the home’s existing simplicity requires craftsmanship and precision—key factors in achieving long-term value and a result of high aesthetic quality.        


All renders are created with AI as a visualisations tool






Architectural analysis 


Ånnerudjordet
in Asker was completed in 1967 and designed by architect Nils Rosland. The residential area is a clear expression of the housing ideals of its time. It consists of detached houses primarily organized in groups of three, arranged around a shared atrium. The design emerges from post-war Scandinavian modernism, where community, human scale, and closeness to nature were guiding principles.

The neighborhood is based on a system of repetitive clusters of single-family houses, giving the area a strong and distinctive identity. A defining feature of the layout is the atrium at the center of each cluster, where the entrances to the three houses meet. This shared outdoor space serves as a communal courtyard, encouraging social interaction between neighbors within the cluster.

Two house types form the basis of the clusters. Type A, a single-storey house (some with basements), features a linear plan where the living spaces face the light and private garden, while the bedrooms are gathered in a more secluded zone. Type B, a two-storey variant, follows the same principles but introduces height and variation within the cluster. It acts as a visual anchor, adding rhythm and hierarchy to the overall composition.

The architecture at Ånnerudjordet is rooted in post-war modernism, characterized by flat roofs, clean volumes, and a restrained simplicity — balancing open and closed façades. Towards the gardens, large windows and terraces open up to light and nature, while the façades facing the atrium are more enclosed, ensuring privacy.

There is also a clear influence from Japanese architecture, evident in the façade rhythm, materiality, and spatial experience. Originally, the interior walls of the social areas were clad in lye-treated wooden panels, creating a bright, subdued, and natural atmosphere. Narrow vertical windows and light construction elements lend the houses a rhythmic balance and functional simplicity. Here, monumentality gives way to harmony — a subtle balance between building, human, and nature. The design reflects a thoughtful economy of means and a precision in architectural expression that many contemporary developments struggle to replicate.

The masterplan reveals an ambition to weave together private and shared spaces. Each house has its own garden, yet the atrium and the spatial rhythm between buildings foster contact and a sense of community. Green areas and planting are integrated into the layout, binding the built environment to the surrounding landscape. Through repetition of the clusters, the development forms not a row of isolated houses, but a network of residential communities, balancing social interaction and privacy.

Ånnerudjordet thus stands as an example of how the detached house can exist as part of a larger whole, where the architectural idea of togetherness and connection forms the foundation for a well-functioning neighborhood.









Concept


Functional shelving wall: Creates a natural buffer zone, as well as establishing spatial symmetry. 


Open upper section: Enhances the flow of natural light and maintains air circulation throughout the space. 


Niche in the corridor: Defines a clear entrance zone and gives the corridor an inviting character. 


Flexible materiality: The composition of materials and colors can be adapted to individual preferences and needs.





Concept

Vertical beams:
Extend up to the ceiling, creating a light and airy expression while allowing for integrated lighting that visually connects the two rooms and establishes a pleasant atmosphere. 


Materiality: The use of wood adds warmth, and the treated surfaces contribute to a calm and refined character. This ties the shelving wall to the home’s existing interior surfaces, creating a coherent overall expression. 


Spatial rhythm: The vertical profiles form a clear and organized structure that defines and emphasizes the different zones within the space.









Concept

New Exterior Windows and Doors: The design amplifies the existing Japandi-inspired architecture through the introduction of oil-treated, wooden-framed windows and doors. Their proportions echo those of the original frames found on neighbouring structures at Ånnerudjordet, ensuring 
visual coherence across property lines.

Materiality: The use of wood introduces a natural tactility, while the oil-treated surfaces lend the façade a distinct warmth. The tjærebehandlede wooden panels add a living, textured quality to the exterior, further enhancing the material dialogue between façade and window. Together, these elements strengthen the overall sense of craftsmanship and harmony.

Spatial Rhythm: The windows establish a clear rhythm and cohesion across the façade, balancing repetition with variation.